I had never been to Rila, whose monastery was an internationally protected site situated in the Rila mountains. We also wanted to visit the area due to a festival in the small village of Stob that Zenil had told us about. I didn’t have high hopes for the festival, but since we were there anyway, we decided to check it out.
Our first stop in the town of Rila to find lodging was a Soviet-style enormous htoel with peeling exterior walls. There had to be something better, and we eventually found a new, clean, small place with an outdoor eating area and grape arbor further into this small town. The proprietors’ son spoke Spanish, since he was studying in Barcelona. So, now I was getting completely confused by the 7 languages I was encountering, only one of which (English) I spoke with any fluency: Macedonian, Bulgarian, Greek (which continually slips in), German, Italian, Spanish, and English. I still regret that I didn’t master another language when I was small, and I admire the ability of anyone who speaks more than one or two languages. Next lifetime, for sure. Meanwhile, Americans have to get going on the world citizen boat; we’re way behind the Europeans (except, of course, for our own immigrants).
We got situated and headed for the monastery. The road followed the charming Rila river and then headed up into the mountains. The monastery is definitely worth a visit, even if you’re not a big monastery fan. The church certainly has had a lot of attention paid to it. They were restoring the outside, which had some interesting murals depicting heaven and hell. “Bricks” were actually painted on, as were the black and white “marble” on the outside. (I was reminded of the real black and white marble I saw at the church in Siena, when I visited there in 1978.) Inside, every square inch was covered, with paintings or gold. There was also a reliquary which looked like the arranged remnants of last night’s dinner. Candles were everywhere, and Czar Boris III’s grave was there, too. The architecture was elaborate, but you know, I’ve seen enough churches, and found the obsessive decoration oppressive. Plus, any visit to a church has, for many years, reminded me of the aspects of Christianity and any other organized religion that I despise. This despite the positive and important role that the church and religion and faith has played in the lives of people here. Again, I was drawn to the topographic map of the area that included hiking trails, but that wa not to be this trip. We headed back for dinner before the festival.
Stob is a hole in the wall known for its “pyramids”, which I believe are stone formations from the sandstone of the area. I found this out when I googled Stob looking for info on the festival. We had stopped here for lunch earlier in the day on the way to Rila, to get info about the festival and check out the area. We sat by the Rila in the shade and it was quiet and pleasant, except for the calga music playing over the kafana loudspeakers near us.
There were many more people present now, a half hour before the scheduled start of the performances at 8. We looked for and found Zenil, whose group was one of the three performing. We told him about Mitko’s death, but he had already heard via phone. The other two groups were to be one from Serres, Greece, and one from Stob itself. Zennil introduced us to the festival organizer. The theme was “Blizki bez Granica” which roughly translates to “Neighbors without Borders”, a reference to the shared culture of Macedonian in these three neighboring countries, I believe it was a sincere attempt to at least symbolically override the political differences present in this area for so long. The organizer got some tee shirts for us and a pen, too.
If you’ve never been to one of these festivals, they are held in the town center and usually consist of a makeshift stage with an iffy sound system, various food, trinket, and game booths, sometimes a ride or two, and a lot of standing around or sitting at tables and socializing. They also always start late.
Zenil’s group from Delcevo came on first. I found it over-choreographed, but there were at least recognizable dance steps in it. A very young kid came on and sang “Dej Gidi Ludi Maldi Godini” a well-known song made famous by Sarievski and which Dragi sings on one of his CDs. All the dancers and the two musicians were young, this being a youth festival. The tapan player was a little shaky, but Zenil helped him out.
The second group was from Serres, in northern Greece. I had visited the town many years ago, and Yvonne Hunt has done some important research on the dances and music in the area. I was hoping for some older women’s group with zournas. I really must have been out of my mind, because what the Greeks brought were 3 young (late teens, early 20’s) women singers, and a female accordionist. They sang Milo Mou Kokkino, Thalassa, and then the instrumentalist played something, possibly even from northern Greece (unlike the previous two numbers) that strayed in and out of 9/8. I found this all very embarrassing, and wondered if it was some kind of subtle slight in the ongoing battle over Macedonia’s name and attempts to get into the EU. Both countries are doing what I consider childishly provocative acts. (The Greek poses are well-documented in the media, but cf. the Skopje airport’s new name, or the Alexander the Great tee shirts in the Macedonian pazar. I just wish everyone would grow up.) Was this another one? I don’t know. Once off the stage, all four women of course lit up cigarettes.
The final “group” was Stob, wasn’t even a group. Two young folks came out, male and female, with wireless mikes, and proceeded to sing over a computer back-up. People actually danced to one of the numbers, so that was fun. At the end, speeches were made, and souvenirs and flowers were handed out to all participants on stage. I have to admit that I was saddened if not surprised by the content of all the performances. Apparently, this is what one sees at festivals these days.
The festival continued with a group from the Sop area further up north, performing on the stage and in front of it. The only interesting thing about this performance to me was the presence of older women in the group (no males at all) who did the same choreography as everyone else. When I say “choreography”, please don’t get the idea that there was anything remotely folky about the dancing. It was all lines, movements, and stage smiles. They could all have been wearing leotards or anything else. This while having an incredibly rich dance culture. But again, I wasn’t surprised. And they were very communist-era precise. They did a good job, really. It’s just not my thing at all.
A very poor female singer followed, who had trouble staying on pitch, even though her computer backup practically overpowered her voice. A professional singer from the Pirin singer came on after her. She had a great voice, but did only one song that could be called folk-ish, and then sang some pop stuff. Same for the good male singer who followed her, another professional. People (not just the dance groups) danced a lot, mostly to the songs in 9. I joined in and had a good time.
While this was all going on, a trio of accordion, clarinet, and tapan, was playing for the tables on one side of the square. The fellow paying them was pretty drunk, and unless you were at that table, they couldn’t compete with the volume of the loudspeakers from the stage. Another group, which appeared later in the evening, was a Roma brass band group. Like the other trio, they were going from table to table as people played. Jatila, who loves dancing, started moving to the beat on our way out. The drummer saw her and came right over, bringing the rest of the brass with him (new customer). She had a good time for about 10 minutes, with Steve tipping, until they moved on to the next payer. I did not join in here, partially because it was Jatila’s dance, but also because the ratio of commerciality to kef was too high. There wasn’t some of the necessary internal joy in their playing that I’ve experienced with other groups at other festivals. Yes these are jobs, but musicians can transcend the purely commercial aspects of the gig and transmit the music in a real way. These guys didn’t make it to that place, and I couldn’t even tell if they were interested in doing so.
We managed to extricate the car from its parking place, where it had been hemmed in, and I drove us back to the hotel without getting killed. We needed to get up early the next morning to get Bob to the bus station before heading to Melnik.